The Diving Bell and the Butterfly

The opening of Julian Schnabel's The Diving Bell and the Butterfly is one of the most viscerally affecting and powerful acts of sustained empathy I can remember encountering in the cinema in quite a while. For what seems like an eternity — but was probably only about a half hour out of this nearly two-hour film — Schnabel's camera steadfastly maintains the first-person perspective of a man who
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