Noroît (une vengeance)

The films of Jacques Rivette have always placed plot in a somewhat secondary relationship to the other elements of the cinema, but never has this been more true or more obvious than in the hallucinatory, baffling Noroît (une vengeance). The film seems to exist almost entirely in terms of individual scenes, which stand apart from each other with a willful refusal to cohere into any overarching