Numéro Deux

Numéro Deux was one of many returns and fresh starts for Jean-Luc Godard, in a career that has been filled with continual reinventions and attempts to "return to zero." By the early 70s, Godard had ended his radicalized period with the Dziga Vertov Group by retreating into isolation with his new partner Anne-Marie Miéville and amassing a collection of video equipment with which he began