Two Or Three Things I Know About Her
Two Or Three Things I Know About Her marks a crucial stage in the career of Jean-Luc Godard. It is perhaps the first film in which he explicitly elucidates and rigorously develops an idea that had been present, in more or less implicit form, ever since he started making feature films, and which would finally become a guiding principle of his filmmaking with his late 1960s turn to political
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