W.

W.

    The biggest surprise of Oliver Stone's W. — and one of its greatest strengths — is that it isn't just a predictable leftist hatchet job on an already unpopular and widely ridiculed president. It surely would've been tempting, not to mention easy, for Stone to have simply indulged in beating a dead horse (or at least a horse with a 23% approval rating). Instead, W. is empathetic towards its

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