The Fourth Man

The Fourth Man, Paul Verhoeven's final Dutch-language film before his sojourn to Hollywood to direct films like RoboCop and Basic Instinct, is a typically delirious fantasia from this gleefully controversial director. Awash in lurid Christian symbolism and a fluidly multisexual eroticism, the film is a nightmarish adventure that would do David Lynch proud: a man's dreamlike, elliptical journey