Struggles In Italy

During his early 70s flirtation with collective filmmaking, Jean-Luc Godard came to think of cinema as a "blackboard," a conduit for revolutionary political ideas, a blank slate on which ideas could be debated and developed. As a result, most of the films from this period, made under the aegis of the Dziga Vertov Group (consisting, in practice, mostly of Godard and his collaborator Jean-Pierre