King Lear

To be or not to be? No. No thing. Nothing. That is not the question. The question is: to see or to hear? To show or to tell? Reality or image? Sound or silence? Or both? For Jean-Luc Godard, if Hamlet is the theater, King Lear is the cinema, so he abandons that "to be or not to be" stuff and focuses instead on the story of an old man and his daughter. The old man is sound, hearing. Lear, ear.