We Are the Lambeth Boys/March to Aldermaston

Karel Reisz was, along with filmmakers like Lindsay Anderson, Tony Richardson, Michael Grigsby and others, one of the guiding intelligences behind the British Free Cinema movement of the late 1950s. The films produced and screened under the loose banner of this movement displayed a versatile surface realism coupled with an interest in inventive sound/image experiments, necessitated by the crude