Two 1960s avant-garde shorts

Storm de Hirsch's Peyote Queen is as hallucinatory and strange as its title suggests, an experimental film in which de Hirsch is continually playing havoc with the frame, with the basic unit of film. De Hirsch was originally a poet, and surrounded by the inspiration of other 60s avant-garde filmmakers, she decided that she wanted to become a filmmaker as well. Her work is thus defiantly amateur