Diabel

Andrzej Zulawski's Diabel (The Devil) is a messy, baroque, jagged film, all sloppily chopped up and ragged, dripping in blood and grime. It is unrepentantly, unceasingly ugly and vile, wallowing in the filth and degradation of a world in which morality and ideals mean little, and in which everyone seems either half-mad or already fallen into the abyss of insanity. The film opens with its chaos