Shoot the Piano Player
François Truffaut's second film, Shoot the Piano Player, is a spirited caper that keeps veering back and forth from farce to tragedy and then back again. It's looser, more stylistically playful than Truffaut's neorealist-informed debut, The 400 Blows; this second film is more in the spirit of Truffaut's contemporary and friend Godard. It's an attempt to make a Godard-esque genre film, fun and
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