The Domain of the Moment/Duplicity III/Murder Psalm

Stan Brakhage was always acutely aware of time in his work, even if only to disrupt it through layering and superimposition, the tools by which Brakhage frequently undercut the passage of time. Time works strangely in Brakhage's work: his editing is often fast, even frantic, and an image can last barely a second or two before being replaced with another, so the films seem to move very quickly,