I Dood It rapidly outpaces its thin material. Adapted, sometimes shot for shot, from Buster Keaton’s final silent, Spite Marriage, the film adds 25 minutes to Keaton’s 80, despite cutting some of the wandering the protagonist gets up to after being rejected by his reluctant bride. That leaves excessive longueurs that even Skelton’s considerable comic talent cannot fill, leaving him to mug at every possible moment to try and keep the audience entertained.
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